Same presentation as we did in Stockholm, Madrid, Lisboa, Paris, Cluj. Location: Künstlerhaus Bethanien and ICR.
Thanks to our friends: Christoph Tannert and Adriana Popescu.
Part of our team joined us: Vlad Panait, Alexandru Stamo-Bugnariu and Andreea Grigore.
In the studio of Mona Hatoum with Eugen Radescu & Felix Vogel.
At Romanian Cultural Institute (from left Eugen Radescu, Razvan Ion, Felix Vogel and director of ICR, Adriana Popescu)
At Künstlerhaus Bethanien. From left: Christoph Tannert, director Künstlerhaus Bethanien, Adriana Popescu, director ICR, Jan Svenungsson, artist BB3, Karina Nimmerfall, artist BB3, Felix Vogel, Eugen Radescu and Razvan Ion.
Part of the team of BB3 in the magnificent garden of ICR Berlin. From left: Andreea Grigore, Razvan ion, Vlad Panait, Alexandru-Stamo Bugnariu, Ana-Maria Post, Eugen Radescu.
Part of BB3 team in a location of bb5 (berlin biennale).
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Same presentation as we did in Stockholm, Madrid, Lisboa, Paris. Location: Art Academy in Cluj, Romania.
Thanks to our friends: prof. Mara Ratiu and prof. Bogdan Iacob. With special support of prof. Cosmin Marian.
Bogdan Iacob (professor) introducing Razvan Ion (co-director BB3).
Razvan Ion presenting the BB3.
Adrian Matei (artist participant in BB3) presenting his work.
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Between 03-29 February 2008, at the invitation of Romanian Cultural Institutes in Madrid, Lisboa and Paris we visited several spaces and we lectured about BB3 and Pavilion at La Casa Encendida - Madrid, Calouste Gulbenkian Museum - Lisbon and Romanian Cultural Institute - Paris. See www.pavilionmagazine.org and www.bucharestbiennale.org for details about the program in each city.
Many thanks to our friends: Democracia (Pablo Espana, Ivan Lopez), Nuno Faria, Manuel Da Costa Cabral, Miguel Wandschneider, Horia Barna, Virgil Mihaiu, Anca Milu, Cristina Gavrila, Irina Ionescu, Kristoffer Ardena, Dan Perjovschi.
PARIS
Renaud August-Dormeuil (artist participant in BB3) explaining his work to Eugen Radescu.
Eugen Radescu (co-editor Pavilion & co-director Bucharest Biennale) & Felix Vogel (curator & theoretician) in Mona Hatoum’s exhibition in Paris.
MADRID
Presentation at La Casa Encendida (from left to right: Razvan Ion, Kristoffer Ardena (artist participant in BB3), Eugen Radescu and Horia Barna (director of ICR Madrid).
LISBON
Prezentation at Calouste Gulbenkian Museum (from right to left: Eugen Radescu - co-director BB3, Virgil Mihaiu - director of ICR Lisbon, Manuel Da Costa Cabral - financial director of Calouste Gulbenkian Foundation, Razvan Ion - co-director BB3, Nuno Faria - curator & counciler of Calouste Gulbenkian Foundation.
Eugen Radescu & Virgil Mihaiu in front of ICR Lisbon.
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Johan Sjöström & Jan-Erik Lundström, the apointed curators of Bucharest Biennale 3 and two of the selected artists held a press conference in Bucharest revealing the complete list of artists and venues. More about in press, artists and venues section of the website.
At the press conference was present Lia Perjovschi and Adrian Matei (two of the artists selected for the BB3).
Special guest was Oana Ailenei, international brands - brand manager, representative of the main sponsor Pilsner Urquell.
From right to left: Adrian Matei, Lia Perjovschi, Jan-Erik Lundstrom, Oana Ailenei and Eugen Radescu (co-director BB3).
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November 21, 2007, 18.30 h.
EMOTIONAL GEOGRAPHIES - URBAN MYTHS
Lecture by Adrian Majuru
National Center for Dance, Bucharest
Bd. Nicolae Balcescu, nr. 2 (TNB, 4th Floor, Ronda Hall)
History also maps apparently imperceptible dimensions. These are difficult to detect, deviate and calatogue, since they easily traverse different historical periods, however, once they have penetrated the imperceptible, answers to secular questions may be unveiled. How come we often forget where we started from? How come doing good has a negative connotation? How come “the asses never forigive one of their kind for having risen above media”? (Stefan Zeletin, “From the land of asses”). The emotional geographies are cartogaphies, whose historical fluctuation traverses many epochs and social hierarchies. They are the most sensitive sensors, through which nature strives for or forces an adaptation in a history of its own!
The lecture of Adrian Majuru deals with an emotional cartography of Bucharest, which in a way anticipates the theme of next year’s BUCHAREST BIENNALE 3: “Being here. Mapping the Contemporary” curated by Jan-Erik Lundstrom si Johan Sjostrom.
Adrian Majuru (born 1968, Bucharest) coordinates Folk Art Museum “Dr. Nicolae Minovici” and is one of the initiators behind the founding of the Museum of Urban Anthropology. He is the author of several publications, such as Bucharest of the outskirts or the periphery as a mode of existence (Compania 2003) and Childhood according to romanians (Compania, 2006).
Adrian Majuru starting the lecture.
Face to face with the public for the last questions.
Supported by:
PAVILION | art & culture magazine
www.pavilionmagazine.org
Partner:
Centrul National al Dansului Bucuresti
www.cndb.ro
Media Partners:
Alternativ.ro
Feeder.ro
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Bucharest Biennale - Bucharest International Biennial for Contemporary Art - generated by Pavilion, integrates the city in its curatorial project, proposing both a spatial and temporal, itinerant trajectory to the visitor, which leads to the discovery of hidden geographies.
Despite being in a rather introductory stage, the Bucharest Biennale has already positioned itself internationally, and the third edition is expected to express the growing potential of this type of artistic encounter. BB3 questions cartography and proposes a remapping of contemporary art, in extending the art concept towards discursive manifestations with a sociopolitical impact.
Between 23-28 October 2007, at the invitation of Romanian Cultural Institute in Stockholm, we visited several spaces in Stockholm and Goteborg and we lectured about BB3 and Pavilion.
THE PROGRAM:
24 October 2007
ICR Stockholm, Skeppsbron 20, Stockholm
18.00 h
The Magazine as a Temporary Structure
A lecture by Eugen Radescu (RO) on the structure of Pavilion – contemporary art & culture magazine.
The magazine is a structure, which is mainly located in the present, although it sometimes deals with the recent past and is often used as a source of reference for the future – in the future as a reference to the past - and it sometimes presents clairvoyant visions of the future. The mission of a magazine for contemporary art and culture is to analyze the present and to make a statement about what this present could be – the decision of “which present” to display comes with certain responsibility.
It is no longer possible to make a clear distinction between politics and art/aesthetics. Therefore, it could be viewed as one of the main missions of a contemporary magazine to have a clear vision of the present and to make an analysis of the strategies of representation by means of aesthetics, ethics and politics. This undertaking can only be successful, if the magazine maintains its temporary structure.
19.00h
BB3. Being Here. Mapping the Contemporary
Live talk on the topic of Bucharest Biennale 3.
Participants: Maria Lantz (SE), Jan-Erik Lundstrom (SE), Razvan Ion (RO), Eugen Radescu (RO).
Mapping is, in fact, not a mimetic exercise, a process of analogue imitation by way of reduction and abstraction, a means towards the splendid and refractory lives of copies and reproductions. Maps are, rather, parallel worlds, rich and powerful out of their own specific properties, producers of other spaces and alternative geographies. And exactly because of this: resourceful and productive and beautiful instrumentalities for the contemporary moment, for navigation ‐ or withdrawal? In these strange times, in the midst of the landscapes of terror, fear and loss, of the territories of restricted movement, control and surveillance, of borders which are walls, of globalization with its promises and defeats.
Curated by Jan-Erik Lundstrom & Johan Sjostrom, BB3 (23 May – 21 June 2008) attends to the geographical turn in contemporary creativity and current representational practices.
Bucharest Biennale is proudly supported by Pilsner Urquell.
Launch of the latest issue of PAVILION “What Was Socialism, and What Comes Next”.
Open buffet.
25 October 2007, 12.30 PM
Galleri Mejan, Flaggmansvägen 1, Skeppsholmen, Stockholm (in front of Moderna Museet)
Political Statement of the Biennale
Open lunch talk with Eugen Radescu (RO) & Razvan Ion (RO)
Participants: students of the Royal University College of Fine Arts and the public.
THE PEOPLE:
Maria Lantz
Artist and teacher at the Royal University College of Fine Arts. She is also editor of Motiv magazine. She has exhibited widely and in 2008 will be part of Bucharest Biennale 3.
Jan-Erik Lundström
Born in 1958, Jan Lundström is the director of BildMuseet, Umeå University in Umeå Sweden, a museum of contemporary art and visual culture. He is equally involved in curating, organizing, giving lectures and writing. Previously, he was the curator of the Tirana Biennial, as well as the Thessaloniki Biennial. Furthermore, he is a guest professor at HISK in Antwerp, Belgium and at the Kunstakademie in Oslo, Norway. Jan Lundström is a prolific international lecturer and writer, having contributed to various international symposia and to cultural magazines such as Glänta, European Photography, Paletten and tema celeste. He was appointed curator of Bucharest Biennale 3 together with Johan Sjöstrom.
Razvan Ion
Theoretician and political activist. Co-editor of Pavilion and co-director of the Bucharest Biennale. Razvan Ion has given lectures at University of California, (Berkeley), Headlands Center for the Arts, California, O3one, Belgrade, Facultatea de Stiinte Politice, Cluj, Facultatea de Arte, Timisoara, etc. His studies and texts have been published in various magazines. Razvan Ion is living and working in Bucharest.
Eugen Radescu
Curator, theoretician and co-editor of PAVILION. Eugen Radescu has produced art projects and mixed media performance, and has given lectures at the Art Academy in Timisoara. He was appointed curator for the 1st Bucharest Biennale, where he produced the exhibition “identity_factories”. Eugen Radescu writes for various art magazines and is currently working on the curatorial project “How Innocent Is That?” and his book “Moral Relativity and Ethics”. In 2006, he was appointed co-director of the Bucharest Biennale (together with Razvan Ion). Eugen Radescu is living and working in Bucharest.
The visit happened because of: Dan Shafran, Stefan Constantinescu, Giorgiana Zachia, Maria Lantz, Jan-Erik Lundstrom, Raluca Mihu, Corina Truta and all the team of ICR Stockholm + Bucharest.
THE VISITS
At:
AK28 (independent artist-run-space)
www.ak28.org
Candyland (independent artist-run-space)
www.glimp.se/candyland/
Moderna Museet
www.modernamuseet.se
Goteborg Konsthall
www.konsthallen.goteborg.se
Goteborg Biennial
http://www.rodasten.se/biennalen.asp
And we met the curators of Goteborg Biennial, Joa Ljungberg and Edi Muka (which is also the director of Tirana Biennale).
AND SOME IMAGES:
From right to left: Eugen Radescu (co-director BB3), Henrik Eriksson (artist and member of Ak28), Johanna Gustafsson (artist and member of Ak28).
Magnus Liistamo (director of FrontierGoodies, member of AK28) and Johanna Gustafsson.
Jan-Erik Lundstrom (the co-curator toghther with Johan Sjostrom of Bucharest Biennale 3) during his presentation at Romanian Cultural Institute in Stockholm.
From right to left: Eugen Radescu (co-director of BB, co-editor of Pavilion), Dan Shafran (director of Romanian Cultural Institute in Stockholm), Giorgiana Zachia (deputy director of Romanian Cultural Institute in Stockholm.), Razvan Ion (co-director of BB, co-editor of Pavilion).
One night we went out. In a window of a shoe maker, a surprize: water proof shoes made in Romania. A special brand we never heard about.
One morning we had another surprize: someone sticked a flyer with the BB3 in the street.
Virpi Nasanen (director of Goteborg Biennial) visiting the biennial with Eugen Radescu.
Stefan Constantinescu (Swedish artist by Romanian origin), one of the initiators of BB3 at Stockholm.
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BUCHAREST BIENNALE 3 (parallel event)
proudly sponsored by Pilsner Urquell
YOSHINORI NIWA
07.August.2007
11.00 hours | Bucuresti, Piata Universitatii (in front of National Theatre)
“Kite flying with local people”
Making a flying kite with trash of Bucharest, he will try to fly the kite in Bucharest.
12.30 hours | Bucuresti, Centrul National al Dansului (TNB floor 3/4)
“Kites, Catrina, Chickens and more”
Artist talk of Yoshinori Niwa
In Japan, for the cellebration of the New Year in early january, people traditionally fly kites. Usually made out of paper, taking mythical forms such as Octopus, Demon, Animals, etc. The project in Bucharest is to fly kites made out of garbage collected from the streets of the city, i.e. plastic bags and/or cardboards. This action-art project is a way to collaborate with the people from Bucharest for the making of the kites, and in parallel it constitutes a communicating mixture of Japanese and Romanian culture. Local and global categories are under the scrutiny through this aesthetic action. Trash is part of the culture of any city, and in the garbage one may find the vestiges of international corporations, such as fast food chains, mixed with packaging from local producers. The kite will mix them reconstituting the microcosmos of Bucharest. This kite will be the material expression of commodity distribution system, a witness of contemporary global capitalism, and a commentary on the consumer society in Bucharest. The flying kite is untouchable, but it touches us and will make us rethink our socio-political context. The experience of collectively working on a kite with local people may remain in the memory of Bucharest cityscape.
Yoshinori Niwa is a physical performance artist who often incorporates animals, plants, and the environment into his work. Niwa’s aim is to explore how to live with others, especially those of other cultures and social classes. Niwa has performed works in Britain, Canada, Germany, Hungary, Japan, Montenegro, Poland, Serbia, and Slovakia. In addition to his performance work, Niwa is curator and festival organizer. Niwa is currently coordinating an international art festival titled “Artist as Activist” in Tokyo. www.niwa-staff.org
Supported by:
Eco Rom Ambalaje / www.ecoromambalaje.ro
Whirlpool Romania / www.whirlpool.ro
PAVILION | art & culture magazine / www.pavilionmagazine.org
Partner:
National Center for Dance Bucharest / www.cndb.ro
Media Partners:
24FUN
Cotidianul
Alternativ.ro
Feeder.ro
Special thanks to Bucharest Municipality.
Despite the heavy rain Yoshinori Niwa was trying to fly the kite in Bucharest. Press and locals are watching the performance.
Alex Balasescu (anthropologist) trying to fly a kite with Yoshinori Niwa.
Eugen Radescu (co-director Bucharest Biennale) and Dana Porlogea (actress) flying a kite.
Talk with Dan Perjovschi in his studio.
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Exhibition / Travelling Video Installation
DIS-ECONOMY OF LIFE
Migratory Aesthetics, Travelling Concepts & Organization of Economic Life
CINEMA SUITCASE / Amsterdam, The Netherlands
Artists: Mieke Bal, Zen Marie, Thomas Sykora, Gary Ward and Michelle Williams
Curator: Marko Stamenkovic, art-e-conomy / Belgrade, Serbia
June 21 – 25, 2007
Desant, 123 Ion Mihalache Bd., Bucharest, Romania
Opening: Tuesday, June 21, 19.00 / Followed by Public Debate, 20.00
Participants: Andreea Grecu (economist), Eugen Radescu (politologist), Razvan Ion (editor of Pavilion), Alex Balasescu (antropologist), Cristian Crisbasan (journalist), Catalin Avramescu (political analist).
Moderator: Marko Stamenkovic (curator).
After party: Frame Club, Bd. Magheru nr. 38b, 22.00
The concept of dis-economy of life is meant to suggest the tight connections between the various areas in which the economic, in the sense of organization of life, affects people: public space, private life, individual mental well-being. In all these domains, a form of dis-economy occurs at the present time. As a result, people float in uncertainty, at the same time economically connected to and yet, disconnected from one another. The proposed series of films present these domains, by means of visual description, narrative, encounters, and reflexivity
Cinema Suitcase is an international group of filmmakers pursuing projects of experimental social documentary. The group consists of: Mieke Bal, Zen Marie, Thomas Sykora, Gary Ward, and Michelle Williams. Coming from a diversity of fields in the visual arts, they seek to facilitate the self-narration of their subjects, always encountered on the basis of a great intimacy, rather than constructing their stories for them. This approach enhances the performative quality of filmmaking as a collective process. The travelling media exhibition brings together three separate yet complementary work-segments (video installation Nothing is Missing; Colony; Mille et un jours & Access Denied).
Supported by:
AFCN (Romanian National Cultural Fund)
Pavilion | contemporary art & culture magazine
Persona
The debate (from left to right: Andreea Grecu, Alex Balsescu, Razvan Ion, Eugen Radescu). Videostill from Realitatea TV.
Eugen Radescu and Alex Balsescu live debate on Realitatea TV.
Marko Stamenkovic (the curator of Dis-Economy- left) and Alex Balasescu (antropologist).
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PAVILION MEETING PLACE
18-20 May 2007
Networking, debates, lectures.
Friday 18 May 2007
20.00 Launch of PAVILION magazine no. 11 on the topic “What Was Socialism, and What Comes Next”
Desant, Bd. Ion Mihalache nr. 123
22.00 Party with a special DJ show.
Frame, Bd. Magheru nr. 38B.
Saturday 19 May 2007
09.00 – 11.30 Informal meeting of partticipants.
Art Café, Str. Gabroveni nr. 4.
17.00 Breakfast At Pavilion
“The Magazine As Temporary Structure”, a lecture by Felix Vogel
Desant. Bd. Ion Mihalache nr. 123.
18.30 Breakfast At Pavilion
“Political Esthetics”, a lecture by Cosmin Marian
Desant. Bd. Ion Mihalache nr. 123.
Sunday 20 May 2007
10.00 – 13.00 Informal meeting of partticipants.
Art Café, Str. Gabroveni nr. 4.
17.00 Breakfast At Pavilion
“Being Here. Mapping the Contemporary”
Public debate with Jan-Erik Lundstrom & Johan Sjostrom, the curators of Bucharest Biennale 3.
The opening of the debate will be made by a lecture-research proposal by Maria Lantz.
Desant. Bd. Ion Mihalache nr. 123 (intersection with Turda st.)
Participants: Johan Sjostrom, Maria Lantz, Felix Vogel, Adrian Notz, Alex Balasescu, Cosmin Marian, Razvan Ion, Eugen Radescu, Lara Pandurovic, Michael Cylinki, Michaela Konrad, Sebastian Moldovan, Simion Cernica, Adrain Matei, Mateo Petterlini, Marco Ambrosi, Bartosz Ozon and many more.
Supported by AFCN, Antibiotice, Artelier and Persona.
Visit in the studio of Dan and Lia Perjovschi (image: Dan Perjovschi and Johan Sjostrom).
“Informalities”, lecture by Maria Lantz.
“The Magazine as Temporary Structure”, lecture by Felix Vogel.
Informal meeting of the participants.
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11-25 May 2007, Bucharest, Deasant, Bd. Ion Mihalache nr. 123.
Opening 11 May 2007, 19.00. The “Holy Damn It” debate moderated by Razvan Ion start at 19.30. Participants: Dan Perjovschi (artist/journalist), Vasile Ernu (writer/columnist), Eugen Radescu (politologist/curator), Alexandru Balasescu (antropologist), Cristian Crisbasan (writer/journalist), Adriana Zaharia (theatre director), Andreea Grecu (economist).
The art project HOLY DAMN IT has to be seen as an artistic intervention in the process of a political debate about social alternatives in the international protest and resistance movements against the G-8 summit in Heiligendamm near Rostock in 2007.
Ten international artists and artist collectives from four continents have created one poster each:
- bankleer (D)
- open circle (Indien)
- Mansour Ciss/
Laboratoire Déberlinisation (Senegal)
- Markus Dorfmüller (D)
- Petra Gerschner (D)
- Marina Gržinić (Slowenien)
- Ibrahim Mozain/Artists Without Walls
(Israel/Palästina)
- Oliver Ressler (A)
- Walter Seidl (A)
- Allan Sekula (USA)
More on: www.holy-damn-it.org
The 24 hours exhibition in the window of the location.
The debate with (from left to right): Razvan Ion, Alex. Balasescu, Dan Pejovschi, Andreea Grecu, Eugen Radescu, Vasile Ernu.
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Johan Sjöström & Jan-Erik Lundström, the apointed curators of Bucharest Biennale 3 held a press conference in Bucharest. They revealed the concept of the BB3: “Being Here. Mapping the Contemporary.” More details at www.bucharestbiennale.org
From left to right: Andreea Manolache (managing director BB3), Razvan Ion (co-director BB3), Felix Vogel (assistent curator), Jan-Erik Lundstrom (curator), Joha Sjostrom (curator), Eugen Radescu (co-director).
Photo: Cristian Crisbasan.
Pavilion was present at “Cultor”, a panel discussion about internet & culture, in Bucharest, moderated by Razvan Tupa, a Romanian poet.
PAVILION is part of KIOSK (image from Emily Carr Institute in Vancouver, Canada).
KIOSK is a traveling archive of independent publishing projects on contemporary art. Continually growing, the non-representational and informative collection currently comprises over 4000 publications of artists’ books, periodicals, video and audio labels. The archive presents a worldwide selection of contemporary art publications which are available to browse through, making it a significant resource for students, lecturers, arts practitioners and the public.
Organised and compiled by Christoph Keller, the founder and former director of Revolver – Archiv für aktuelle Kunst in Frankfurt.
The most recent of the previous fifteen stops of the traveling archive include ICA, London; the 9th Istanbul Biennial; KW Institute of Contemporary Art, Berlin; and Witte de Witte, Rotterdam. From The Physics Room the KIOSK travels to the Emily Carr Institute in Vancouver, Canada.
100 Dutch Minutes (video art from The Netherlands), a project curated by Razvan Ion & Felix Vogel and projected at Academy of Art in Cluj, Timisoara, at Center for Contemporary Dance Bucuresti and French Cultural Center in Iasi. Supported by Mondriaan Foundation and Pavilion.
“Surveillance, Art and Power” a lecture by Razvan Ion at Political Science Faculty in Cluj. With the support of Pavilion. Special thanks to Cosmin Marian and Gabriel Badescu.
Lecture “The Magazine As Temporary structure” at O3one (curator of the gallery: Marko Stamencovic), Belgrade. A lecture by Razvan Ion & Eugen Radescu with contribution by Felix Vogel.
Rainer Ganahl’s post card just arrived.
Adrian Notz, from Cabaret Voltaire, Zurich
Two theorethicians & curators: Marina Grzinic & Felix Vogel
Launch party for PAVILION no. 9, reader of BB2. Deconstructed PAVILION on a panel.
THE BRUNCH
Tuesday, June 27, 12.00 a.m.
CAA, Bucharest, Str. General Budisteanu 19 (in the courtyard of Faculty of Art).
“The Brunch” at CAA (Center for Art Analyze/Contemporary Art Archive).
Debates moderated by Lia & Dan Perjovschi.
A democratic choice of the topic will be performed to conclude the last day of BB2.
WHAT IS “THE BRUNCH”
“The Brunch” is an ongoing project realized by CAA and PAVILION magazine after an idea by Lia Perjovschi.
“The Brunch” is a platform of debates and analyzes of the Romanian and international art scene and the social-political context.
These events will explore on a theoretical level the role of art, discussing the possible social and political missions of artistic practice.
We would like to encourage communication, consultation - perhaps collaboration - alongside facilitating the reciprocation of knowledge and understanding between the artists and theoreticians involved.
ORGANIZERS
Lia Perjovschi’s CAA (Contemporary Art Archive/Centre for Art Analysis) is a project active under different names and in different shapes since 1988. CAA was a voice activated installation, a place for debate and criticism; it served as a point for local and international artists and curators to meet and exchange opinions and transformed itself and its mission according to the changes in the political and cultural context.
PAVILION is an art and culture magazine that name alludes to the relative temporary structure of the contemporary art.
The magazine is presenting wide-ranging, multi-disciplinary content in each issue through the varied formats of regular column, essays, interviews, and artist projects.
PAVILION does not only want to describe contemporary phenomenon but with its militant attitude it tries to directly intervene in cultural, political and social life.
Editors and founders: Razvan Ion & Eugen Radescu
This was a parallel event of BB2
Reading from Franz Fanon in Rainer Ganahl’s appartment in Bucharest.
Participants: Marina Grzinic, Eugen Radescu, Ciprian Homorodean, Felix Vogel, Alexandra Hagiu, Aaron Multon (FlashArt), Razvan Ion, Claudia Martins, Nora Dorogan.
Photo: Rainer Ganahl
More on the work of Rainer Ganahl in Bucharest:
http://www.ganahl.info/bucharest.html
http://www.ganahl.info/bucharest_fanon.html
Just a part of the team of BB2.
Stefan Constantinescu, “Dacia 1300 My Generation” & “Passagen”, video projections.
At ICF. (Still from the film “Dacia 1300 My Generation”).
N3krozoft Mord, Babel Project, multimedia performance at Test Point.
www.n3krozoft.com
“Crossroads of illusions”, solo created and performed by Adrian Stoian. At the National Centre of Dance – Bucharest (CNDB).
Pavilion Lecture Series
Zsolt Petranyi, curator of BB2, lecture and debate about “Chaos: the Age of Confusion”, the theme of BB2.
Pavilion Lecture Series.
Rainer Ganahl lectured on “My Misery with Marx or How I Become an Artist”.
www.ganahl.info
Pavilion Lecture Series.
For the first time in Bucharest a lecture by Marina Grzinic (curator, artist, writer, philosopher), “Queer in Photography”.
No images of the art works in Bucharest Biennale 2.
Just because you can download the entire reader/catalogue of BB2 in PDF format at:
www.pavilionmagazine.org/PAVILION_no9.pdf
Artist Aya Tzukioka with her work.
Pavilion of PAVILION during BB2 in the Botanical Garden.
Opening of “I Am Luke Skywalker” by Ciprian Homorodean.
Image: Ciprian Homorodean (left) and Johan Sjostrom (swedish curator).
I think i m sufferign the romanian deseas of cioran
insomnia.. it s a8 am and I still can t sleep
ps: what is your mailing address. I want to send you
post cars
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First day of Bucharest Biennale.
Agent MC performed at the opening toghther with some skateboarders.
A limited edition of skateboard plates draw by Dan Perjovschi was launched.
The guests was invited to experience the urban travel by an ordinary line bus in Bucharest. The bus was crowded as a usual line bus is during the day in Bucharest.
Zsolt Petranyi (the curator) was the guide trought all exhibit spaces of BB2.
After all this a great party was performed by Pilsner Urquell. Thank you Lorand Papp & Oana Ailenei.
Andrei Iancu & Razvan Ion planning the installment of the exhibition under the indications of the curator Eugen Radescu.
After the speach of the curator Eugen Radescu.
John Goto and Mark Durden (from Common Culture) at the opening.
John Goto and Eugen Radescu few minutes before official opening.
